I was curious about Delta (Black & White LUT) so I compared it to the “Black & White” Effect in Premiere Pro.
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To save time I used the free preset “S-curve light”from (download the free pack of Jarles Grading Tools here). I wanted to add some pop to the footage, so I added Curves before the LUT (change the order of Effects in the Effects Controls Panel). I used their VisionColor Picture Style ($6.99) which they recommend for Canon DSLR’s (their version of the popular Flat Picture Style).Ĭamera Original (VisionColor Picture Style): In this example, I used Vision 6 on some footage shot with my Canon 5D MarkII. If you decide later to switch to another LUT, click the “Setup” icon to choose another LUT (highlighted in red): Select the LUT you want to use on your system, and click OK. This will bring up the color correction effect Lumetri (be aware that there is also Lumetri Looks, which is a different feature that uses Speedgrade’s Lumetri Deep Color Engine to create presets).Īpply “Lumetri” to a clips(s) or to an adjustment layer (an adjustment layer would allow you to adjust the amount with opacity). In Premiere Pro, go to the Effects Panel, and type Lumetri. For other apps like Premiere Pro, you simply create a folder and copy the LUTS. If you are using Resolve or SpeedGrade, there is an installer. I figured for $49 it was worth giving it a shot so I downloaded Osiris. I recently saw Osiris mentioned by Denver Riddle (Color Grading Central), who offers his own free (and paid) color grading tutorials and presets. But for me, LUTs are a useful tool that can quickly help you create a look on tight deadlines and small budgets. I’m sure some editors/colorists are rolling their eyes and thinking “great, another quick fix”, and I understand that. If you are not sure about using REC 709 or LOG, here’s a handy chart to help you out ( click image for larger view): The suggested workflow is to apply the LUTs in post production between your primary and secondary corrections (primary corrections > LUT > secondary corrections). These LUTs are available in REC 709 and LOG versions. There is a quick start video on using them in Resolve or SpeedGrade here.
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Like many LUTs, the Osiris pack will work in Premiere Pro, After Effects, Resolve, SpeedGrade, and FCP 7 (see the full list under System Requirements here). What does a LUT do? To quote VisionColor “By remapping existing scene colors based on digitally and photochemically treated print film stocks by Fuji and Kodak, the OSIRIS LUTs offer a wide range of well known and established cinematic film looks that can be time consuming and complicated to recreate even with advanced color grading software”. Check out some impressive applications of these LUTs here:
Vision Color makes Osiris ($49), a collection of 9 Film Emulation 3DLUTs designed for digital video (footage from Alexa, RED, BMCC, DSLR’s). In this post we’ll take a look at some LUTs (look up tables) and how they can enhance the look of your video footage in post production. Use LUTS to quickly get a cinematic look in a variety of editing and grading apps.
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